Here comes Saturday which means quick post. This was $5. I got it at the first Hilton record show I went to. Due to too huge a backlog, I do not go to record shows anymore. So sad. Anyway, I was on a Byrds kick when I got this. What I week it has been for spell check.
This was the seminal California band, the Byrds’ first album, based on the strength of the single, their rendition of Bob Dylan’s “Mr Tambourine Man”. Featuring original members Mike and Gene Clark, David Crosby, Chris Hilman, and Jim McGuinn, It was released in 1965 and was the first real US challenge to the British Invasion at the time.
Good little album. It features other Dylan songs “Spanish Harlem Incident”, “Chimes of Freedom”, and “All I Really Want To Do”. It also features folk classic “Bells of Rhymney” which incidentally, McGuinn performed earlier on Judy Collins album (featured on this blog).
Anyway, I went with Gene Clark’s “I’ll Feel A Whole Lot Better”, which was covered on Tom Petty’s first solo album. Petty was greatly influenced by the Byrds and I believe that is the reason he played a Rickenbacker, McGuinn, himself was influenced by seeing George Harrison play on in A Hard Day’s Night.
Anyway, great little album. Top Rated.
Woo hoo!! Saturday. Let’s fly thru this. This was $2. Too many good songs to pass up. Also after 2-1/2 years of doing this blog, I still hate typing the word rhythm. I mis-spell it every time. Anyway, you can not go wrong with ending the week with Jerry Lee Lewis.
This record, released by Sun in 1969 was a repackaging of songs recorded earlier with Sam Phillips. At the time, The Killer was going thru his county period (which I felt was even better than his rock and roll days). He was very hot during this period and the new owner of Sun, Shelby Singleton, wanted to capitalize on this so they put out a series of compilation records like this.
A lot of good rock and roll/ rockabilly songs on here. Most of these songs weer made famous by others including Chuck Berry, Little Richard, and Ray Charles. Also, I kind of do take offense for taking songwriting credits for “C.C. Rider”. But other than that, every song is pretty much a classic. So I went with “Little Queenie”.
Top Rated Record.
Happy Saturday. This gem was only $1.
This was Isaac Hayes’ third album, released in 1970, fresh off the heels of the massive success of Hot Buttered Soul. I did not want to write about HBS but since I already have a copy and find it very unlikely that I would find one for under $5, I might as well note it here that after dismal sales of his first album, Hayes was prepared to go back behind the scenes, writing and producing. The label’s executive, Al Bell, had different plans.
As Stax had lost its entire back catalog following a split with Atlantic, Bell was tasked with building the catalog back up and pressed Hayes to make another record. Hayes insisted on creative control. which he received, and as a result, a massive and heavily influential record was born.
This was the follow up album, which was also a hit, reaching #1 on the Soul charts. The album features only four songs , heavily arranged and orchestrated with the signature sound Hayes crafted on the previous album.
For a sample, I went with “Something” despite being 12 minutes in length. It should be noted that “Something” is the most covered Beatles’ song after “Yesterday”.
Great album. Top Rated.
I like having big records on Saturdays and perhaps there has been none bigger than this. Plus I paid just a dollar for it. I might as well have stolen in it. I thought at this price, it would be in pretty rough shape but it actually plays pretty well.
This was a monumental album for Ray Charles. It was his 18th album and his fifth for ABC-Paramount. With four charting singles, it brought Charles more fame from mainstream artists. Those close to Charles did not see the wisdom of putting out an album of country standards, but Charles masterfully translated country and western tunes into R&B flavored arrangements.
As common place today as taking the country genre and adapting it to big band arrangements, this was a radical idea both musically and socially in the early 1960’s. Most thought the record would flop but Charles saw the similarities between the two styles and crossed them over in a way that paid its respects to both camps.
Released in 1962, the album was a critical and commercial hit. Most critics consider this Charles’ best album. The record spent 14 weeks at #1 on the Pop Charts. “I Can’t Stop Loving You”, in turn , became a #1 single as well.
For a sample, I could have gone with any song but decided to go with Hank William’s “Hey Good Lookin”. Top Rated Record.
This gem was only $1.00. Michel Legrand is the genius behind the music of Demy’s musical films as well as The Thomas Crown Affairs‘ theme “The Windmill’s of You Mind” which just happened to be on TV 5 mins ago while writing this.
Legrand has been on this blog before so less burden of writing on this on. He is still alive as of the time of this writing. Not much to say over things I have posted in the post from Legrand. Weekend is coming, so keeping this brief.
This was released by Columbia Records in 1962. It is a good collection of standards with an emphasis on the strings. Highlights include “Perfida”, “El Choclo”, “Boulevard of Broken Dreams”, and “All or Nothing At All”. The arrangements are pretty swanky. Good album.
For samples, I went with two songs that I normally post, “Jezebel”, and “Temptation”. But truth be told, I could have put any song on this post. The album is just that good.
Great little album. Top Rated.
This was $2. I liked the Monkees when I was young. Still do to an extent. Why you may ask. I may have answered that question on this site before but for the sake of this post, I will answer it again. Because on the TV show, they always stuck together. Mostly through the bad times. And on the show, they were always one step away from making it. Despite always falling just one step short, they stuck together.
This was a huge album for the band. After fighting hard to write and perform their own music, the Monkees got their break with this album. It is kind of funny how it played out. Mike and Peter wanted to be musicians. Mickey wanted to be a director. All Davy wanted to do was make money and as shown in the made for TV movie about the band, he appeared frustrated with his bandmates’ ambitions.
But here this is, the Monkee’s third album, with music performed by the members, rather than the session musicians used on the previous two records (the main exception was Chip Douglas for provided bass among other things). The Monkees also contributed a good chunk of song writing to this album although others such as Boyce and Hart are present as well.
It is Mike Nesmith’s influence that gives the album a country-folk-rock sound, but one particular exception is Mickey Dolenz’s “Randy Scouse Git”, which is a British slang that is quite unpleasant.
This was meant to be the Monkees’ crown achievement and they were rewarded with a #1 record spot upon its release in May of 1967. However, as fate would have it, Sgt Peppers was released the following week, changing music as it was known at the time, knocking Headquarters to an eleven week run at the #2 spot,overshadowing the accomplishments of the made for TV band. IN a way, it was very fitting and followed the TV show’s plot lines; the band fought so hard to make this great little album, just to fall a tad short in the end to one of the most important albums of the 60’s.
Anyway, here this is. For a sample, I was torn in several directions but ultimately went with the Nesmith penned/sung country flavored “You Just May Be The One”.
Great album. Top rated.
This little gem was either $1 or $3, I can’t remember anymore. I am leaning more to the $1 theory. But either way, you can’t go too wrong with this collection, which features hits from four of country music’s biggest stars the comedic Roger Miller, the sausage king Jimmy Dean, celebrated drunk riding mower-er George Jones, and Hee-Haw’s own Buck Owens.
This album, released by Nashville/ Starday Recordings in 1966, features previously released music. Pretty good collection of works by these kings. I did not realize this until I read the back cover but all four artists were born in Texas despite leaving it for Nashville/ California.
For samples, I was really drawn towards two songs, George Jones’ “That’s The Way I Feel”, and Buck Owens’ “Down On The Corner Of Love”, which I believe was Owen’s first single. Other than this and Miller’s “Poor Little John”, most of these songs I believe are from albums and b-sides. Overall, this is a really good collection of tunes.
Top Rated record. Not much else to say about this. Woo-Hoo! Quick post today!
This was all of $1.00. I thought this was the second Dan Hicks record I owned. I was wrong. I have three. I also thought this was the second one I posted. Wrong again. This is the first.
Dan Hicks passed on in February of last year. His music is both easy and complex to describe. On some levels, it is an exact extension of the hot jazz/ gypsy music of Django Reinhardt and the country swing of Bob Wills, plus many other genres of music, all while looking like hippies. His band the Hotlicks was formed in 1967, split in 1972, reformed sometime before 1973 and split sometime thereafter with an occasional reunion, most notably in 1991. The band was sprung from the San Francisco area where Hicks moved as a youth. He was born in Little Rock Ark, in 1941. See what I did there? I did it backwards.
Anyway, this was his second record and it was done live. Recorded at the Troubadour in Los Angeles, the album features what his webpage calls the best known lineup of the band featuring Maryann Price and Naomi Ruth Eisenberg on vocals and percussion, Sid Page on first violin and mandolin, and Jamie Leopold on Double Bass.
I was really blown away how good this album was and how eclectic it sounded on one hand while making perfect sense on the other. The songs are all really good. Great musicianship and great vocals. Also , featured on the album is some of the best stage banter I have heard in a long time.
For a sample, I went with what I felt was the Best song on the record, “Caught in the Rain”. I also went with the first track, “I Feel Like Singing” because when I first listened to it, I thought the record was skipping. And if you really think about it, to accomplish that feat on a live record is really saying something.
Anyway, great album. Top Rated.
This gem was only a dollar. Not only do I like small regional records. I also like autographed ones despite this record’s autograph being on the plastic cover. It is made out to a “Mr & Mrs Cruz” to which Cliff Holland wished them good luck. Since this record is from Calgary, I can’t help but wonder if these are Ted’s parents and if perhaps, I am holding the missing link of the JFK assassination in my hands. Trump conspiracies aside, I always did have an overactive imagination.
Other than what I read on the back cover, I do not know much about Cliff Holland, other than the fact that he was a member of two successful southern vocal groups:The Delta Rhythm Boys and the Four Knights. His stint in both these groups led to worldwide travel and 12 Gold Records. What brought him to Western Canada, I do not know. Based on the lack of any drummer credits on the record, I assumed Holland handled skin duties but this is a mere assumption and I am starting to thing this is not the case. Anyway, the Trio is rounded out by English born Larry Yarwood on piano who was also a member of the Calgary City Stompers and Lye Kosh, a Regina native who was also an employee of Gulf Oil of Canada. Further credits go to back-up bassist Glenn Dickson as well as Larry Bechthold for rhythmic patterns on the record. Perhaps this is where the records drums come from although it is a strange way of saying it. Please note that I am pretty sure this is not Holland in the video below but I really liked this song.
Anyway, this is a real good album. Between Holland’s baritone voice and the jazzy/lounge instrumentation, the listener is magically transported into a smokey dark room (although due to smoking laws, that aspect is lost to future generations). Really good performances and really good songs including such standards as “Chicago”, “Raindrops Keep Falling on My Head, ” They Call the Wind Maria”, and “Summertime”.
This record did skip pretty badly. I went to my upstairs neighbor to clean it but that did not do the trick. I had to use his turntable as well as his fancy recording device to get a good recording. I succeeded on this front but was to lazy to splice the songs apart so here are three samples all put together. First is the second Paint Your Wagon song on this record, the immortal “Wandrin Star”. Second is the Bob Crewe-Bob Gaudio penned “Can;t Take My Eyes Off of You” which is a great version but probably included only because I saw Jersey Boys last month. Finally, I leave you with a Holland co-penned tune “Our Town” which is more of a shout out to the people who worked on this record, which is dedicated to Calgary.
Really good little record despite the fact that I can not play it on my record player. It really hit on a lot of angles for me. Top Rated.
Woo hoo!! Friday. Here is a subject I have completely exhausted on this blog. That is because he is one of my favorites. This was $4 and despite the cover being beat, was actually in decent shape. I like the title. Sounds like it was written by Thor.
This was Ray Price’s first album, released in 1957. Pretty good little way to start one’s career. I don’t think it made a whole lot of noise chart wise. but Price did have a slew of top singles including “Crazy Arms” under his belt when this was released.
A lot of good songs but of course, I am drawn to my favorites and Price’s version of “Faded Love” is no exception. Therefore here it is as a sample.
Great album- Top Rated.