Knuckle Fingers Joe-Honky Tonk Piano


Here is another piece of old timey music that I bought for ….. $2?  Should have been cheaper.  I am not sure if there was a song on here that I liked or at the time of purchase I just had a thing for pian-ee.  For some reason or another I keep buying these old timey records and keep getting disappointed. And for yet another reason, I still keep on a buying them.

This came out on Custom Records, a budget label run by the Bihari Brothers, who were apparently legends in the world of budget labels.  I believe this came out some point in the sixties.  I am also pretty sure old Knuckles Joe is a studio band.I probably posted this before but to me this gag only gets slightly old.


Other than the old school bar room piano .  There is not much else to say about this record.  For a sample, I went with “Hot Time In The Old Town Tonight” with the slightly out of tune sound.  Almost makes you want to throw a mug of beer across the bar.

Meh.  But I will not let this deter me from future old timey purchases.

Pete Fountain and Al Hirt- The New Orleans Scene

I got this at Vinyl Edge in the Heights for $3. I would have bought it for either so having both artists make it a no brainer.  Plus I really bought it for the song that I am going to post.

I have had both Pete Fountain and Al Hirt on this site numerous times, but this is the first time I had them together.  Both men had deep ties to the New Orleans’ jazz scene.  Both men had their own night clubs in the French Quarter, I believe.  Both men also stole members from each others bands as well.  Despite these events, the two remained friendly in competition for the most part.

This record from Coral in 1962 and features four songs from both Fountain and Hirt in a traditional 7 piece dixieland jazz format.  The other four tunes are just Fountain,, backed by a typical West Coast rhythm section.  A fellow blog site dedicated to Fountain describes this album in more detail.  I have been leaning on other’s blogs quite frequently this month.

Blog entry on the record.

For a sample, I decided to highlight something from the two artists and I wanted to use “It’s A Long Way From Tipperary” , being one of my favorite tunes.  The song , made popular in WWI, is sung from an Irishman’s perspective, being in England for training and away from home.

Satisfactory Record

New World Orchestra-WRC Production- The Sound of Music

Broadway month is getting closer to the finish line with this, which I bought for a dollar.  I guess a bought it to write a post on the influential Rodgers and Hammerstein production.

The Sound of Music was the last piece of work for the duo as Hammerstein would die of cancer nine months after its premier on Broadway (which was 1959).  Featuring Mary Martin and Theodore Bikel in the leading roles, the story of the Austrian Von Trapp Family, the original production ran 1,443 performances and won five Tony’s including Best Musical.  A film version with Julie Andrews and Christopher Plummer followed in 1965 which itself won five Oscars.  Numerous revivals and production followed and most every song on this has become a standard over time.

I am not sure where this came from other than a reference to the WRC (World Record Club, a UK mail subscription record club) and some information on London productions.  I believe this came out in 1961.  The credits include music by   The New World Orchestra led by Jan Cervenka, with arrangements Bobby Richards and production by Cyril Ornadel.  As far as the principal actress/actors go, that would be two London performers, Adele Leigh and Ian Wallace, both currently deceased.  I am sure I could find something more out on this if I were so inclined, which today I am not.

For some reason, Sound of Music never really took off with me. I know, even with Julie Andrews in the movie version.  I think something about seeing her as a nun probably does not do it for me.  Well, however, I feel, this was a hughly popular musical and score and as a sample I went with ” My Favorite Things”  which served as a basis for his oft-cited jazz cover which served as the basis for the Door’s Robbie Kreiger’s “Light My Fire”.

As far as this album goes though, meh.  Nothing really radical or new on this.  Have not meh’d an album all month.  Feels kind of good.

Judy Garland and Liza Minnelli- Live at the London Palladium

Not exactly Broadway but very Broadway theme, we have this little gem I have been kicking around for some time. For a double record set, it only cost me a dollar.  I bought it because I thought I could get a good story out of it and it was only a buck.  However, soon after purchase, I kind of dreaded listening to it, seeing it was a double album.  In the words of my friend Sam, it seemed a bit much for one listening, at least for a straight man who likes old school country music.

However, I will say, for a double album, it went quick and relatively painless.  I mean two records of two women singing showtunes, it could of been a lot worse. It could have easily spun into a Sweeny Sister’s type affair (even though that would not be bad either).

So there was this, recorded at London’s Palladium during a series of concerts Judy Garland put on in 1964.  The first show sold out quick, prompting a second performance, which did the same, at which point the duo performed an hour long set for the BBC.  This was Judy’s first performance from her daughter, Liza Minnelli, who I believe was still in High School at the time and was really not too famous at the time, other than for being Garland’s daughter.  Garland would pass five years later in 1969. This album, incidentally, came out in 1965 and peaked at #41 on the Billboard charts.

This show is from the first performance, although I am not 100% sure “live” is in quotes.  For a rising up and comer, Liza has a good chunk of songs on her own, along with duets with her mother.  The album does a really good job of showcasing Liza’s then emerging talent  at times, kind of serves as a debutante’s coming out party of sorts.  Of course there are solo efforts by Judy as well.  Mostly all stage and movie standards on this. Medley count is a bit high with four (so it is slightly Sweeny-ish in that regards).  Did I mention I dreaded listening to this?  In actuality, it was not a bad album but I would not listen to it again any time soon.


For a sample, I went with Liza’s Medley on side 3, as I was really impressed with her work on this record.  Consisting of songs in tribute to her famous mother, here is “Take Me Along”, “If I Could Be With You”, “Tea For Two”, “Who”, “They Can’t Take That Away From Me”, By Myself”, ‘Take Me Along”, and “Mammy”.  Also for good measure, here is one of the encores which is mentioned at the start of the album, “Chicago”, featuring the duo.

OK.  I was pleasantly surprised by this album.  Not nearly as painful to listen.  Satisfactory.

The Avengers- The 1972 Bruins Season

This was one dollar.  I have been meaning to post this during hockey playoffs.  Chance are, if you are a hockey fan, that this years playoffs did not go as you had planned.  As an Oiler fan, you would figure I would be happy with this years performance given the last last, dismal ten years, but anything less than a Cup is a bit disappointing for me.  

If you are a Bruins’ fan, at least it was a quick exit for you.  I watched a bit of the Bruins/Sens series while switching between the Leafs/Caps.  In comparison, the speed and skill of the Caps/Leafs made the Bruins/Sens look super sluggish.  Almost like one of my men’s league games.

Anyway, back to this record, here is a season overview of the Boston Bruins’ glorious 1972 season, which saw them finish first in the league with 119 points as well as the overall Stanley Cup Winner. Phil Esposito won the Art Ross scoring title netting 66 goals along the way.  Bobby Orr finished second in scoring but had himself a busy year picking up the Norris, Hart, and Conn Smythe trophies. He also racked up 106 penalty minutes along the way.  The 70’s game was not today’s hockey and a superstar like Orr, as Don Cherry would say, was definitely not afraid to go.

Gerry Cheevers set a record which I believe still stands, going undeafeted for 33 games in a row. Other members such as Johnny Bucyk, Derek Sanderson, Wayne Cashman, and Ken Hodge also had solid seasons as well.  

This record highlights season and post season exploits of the Big Bad Bruins.  The moments of individual achievement as well as the payoff run are exciting.  It is also interesting to hear Derek Sanderson speak of his fear of flying as well as hear Garnet “Ace” Bailey speak of his game winning goal in Game One of the finals.  Bailey would pass away in one of the hijacked planes during 9/11.

As stated above, the Bruins path to the Cup lasted 5 games against the Maple Leafs, 4 against St Louis, and 6 games in the finals against the New York Rangers. Here, I believe is an excerpt from the Finals.

In general, I do not get too excited about spoken word albums and the fact that I am not a Bruins fan does not help much.  But this was a dollar and the 1972 Bruins were a great team.  This album is interesting enough for me.  Satisfactory enough.  For your Bruins fans and for most anybody else from a real hockey town, there is always next season.

Goodwin “Goody” Goodload and his Frostonia Ballroom Orchestra- Supercamp

This album was $4.00.  I am not sure who this album was being marketed for.  That is probably one of the reasons I bought it. 

The Super Camp moniker puts a strange connotation to this album.  In what is really a collection of tunes from the 20’s and 30’s, is now being marketed as camp, a term that went mainstream in 1965 (after Susan Sontag’s seminal essay “Notes On Camp”)to  describe ironic appreciation of something that would otherwise be seen as corny.   The word has been interchanged with kitsch although I am told where kitsch refers to the work, camp describes the mode of performance. Finally, it has been described by camp’s grand master John Waters as   the tragically ludicrous or the ludicrously tragic, which triggered this response.

This album, released by Tower Records in 1966 and features Goodwin “Goody” Goodload and his Frostonia Ballroom Orchestra.  It features vocals from three sources; Robert, Tuttle, and Morris (a play on the American surgeon of the last century, Robert Tuttle Morris), Gi Gi Bumstead on female vocals, and Jimmy Wasson on male vocals. I do not know who any of these people are and assume they are all just aliases.  I spent about 45 seconds on this.

I truly hated listening to this album. I felt it was stereotypical and derivative. And I have liked 20’s/30’s trad jazz albums in the past but for some reason, this one did not work for me at all.  I think it was the fact that the songs are just plain silly with such comic book titles as “Popeye the Sailor Man”, “Mickey Mouse and Minnie’s In Town”, and “Little Orphan Annie”, along with such other songs as “The Good Ship Lollipop”, “Mairzy Doats”, and “Lookie,Lookie, Lookie, Here Comes Cookie”. Anyway, that is all I have to say about this.

For a sample, I was drawn to “Leaning On  A Lampost” although “I Met You At The Bijou On Dish Night”.  Both songs were sung by the previously mentioned Jimmy Wasson.

Again, I hated this record.  Meh.

Robert Shaw Chorale- Operatic Choruses

This was a dollar.  Lot of opportunities to have fun with this post.  Well, time is kind of limiting that this week.  time and bad internet connection at the house.

Oddly enough this today, I am going to see the last of the Ring Cycle, Gotterdammerung and yes, it has bothered me every year on some level that I am watching the work of a rabid anti-semite.  Well, the Houston Grand Opera has been doing a piece from the cycle every year and I have been all in up til this point.  After I went to the first part, Das Rheingold, I started getting season tickets.  The first year, I only went to two operas, but after that, I have been arguably attending most shows a season and have really enjoyed them.

As far as this production, it is OK.  Technically, it has been great.  Production-wise, I am not a fan of the modern set and custom although many people are raving about them.  I also felt the dragon in last year’s Seigfried was clown shoes. It looked like a rubik snake.

For this record, I was going to ask my pal Scott for his thoughts about operatic chorus as he served some time in the Houston Grand Opera’s chorus.  However, he has been busy , re-opening Dan Electro’s Bar in Houston.  And likewise, I have been to busy to drive to the Heights to see him.  Well,  if you are in Houston, check out the bar.  It is a Houston classic spot. I am sure if I got around to asking him, Scott would say something to the effect of the importance of the chorus to opera and its role in the production.  Here’s an idea, why not go to Dan Electro’s and ask him?

Well, there is this album from the conductor, Robert Shaw (1916-1999).  Released in 1956, I think by RCA Victor, it is a collection of popular choruses and is quite good.  Good song collection that culls famous work from the French, German, and Italians.  A lot of decent tunes including, Bizet’s Carmen, Gounod’s Faust (which I saw at the HGO within the last two years, Verdi’s Nabucco, and Wagner’s Lohengrin.  On that note, I did not realize that Wagner wrote “Here Comes The Bride” until I heard this album. That means most married folk now have an ethical dilemma as well. Turns out your drunk uncle was not the only anti-semetic thing at your wedding.

For a sample, I was stuck between a bunch of songs, but ultimately decided on Verdi’s “Anvil Chorus” from Il Trovatore.  Yeah, I like the simple effects.  If you have watched any type of TV for the last 20 years, you know this song.

Good album.  Satisfactory.  I really wanted to do more with this post but , what can you do.


The Mariachi Brass Featuring Chet Baker- A Taste of Tequila

Welcome back to Continental Week . Although this may not fall under the true definition of Continental music, it definitely belongs with the other records I have posted this month.  It was $3.  I got it for the inclusion of Chet Baker.  I would love to put some of his solo work on this site but it is hard to come by and probably not under $5.


IMDB Link to Movie

On the flight overseas I made in November, I watched the Baker Biopic Born to Be Blue.  A Canadian/ UK production filmed in Sudbury, Ontario and released in 2015, it was my favorite movie from the trip.  I thought it was fantastic for two reasons.

Baker was very prolific both early and late in his career.  In the middle, there was a period of struggle and that is the period in which this film is set.  That is first reason I really liked it.  This period made for a good story.  It showed his struggle to get clean off drugs, to learn to play the horn again, and to compete with Miles Davis and the East Coast sound.  Second, I thought Ethan Hawke did an excellent job in his portrayal of Baker.  Hawke was not playing a pretty boy.  He was playing a former pretty boy.

There is a brief scene in the movie (as well as the above trailer), in which Baker was struggling to get work and takes any job he can get.  One such job is with the Mariachi Brass.  In the movie he is wearing a sombrero in the studio. And that is pretty close to the truth.  Baker joined this quickly assembled response to Herb Alpert’s Tijuana Brass.  Not really highlighted in the movie was the fact that Baker played flugelhorn on the album, quite possibly because his embouchure was still healing due to be broken by a drug dealer over non-payment of services rendered. This scene was also shown in the movie as well.

And since I was over in that part of the world, I stopped by the hotel where Baker overdosed in Amsterdam.

Baker released five albums with the Brass. This album, released in 1966, was the first, I believe.  Arranged and conducted by Jack Nitzsche, this album has a decent selection of songs with a Latin tint to them.  It should go without saying but this is not among Baker’s best work.  In fact, it is rather uninspiring.  What it is is an interesting picture of a period of struggle for Baker, the same as the biopic.  It is also interesting to hear Baker on an instrument other than trumpet.

There are some decent moments on this.  Two country standards, “Flowers On The Wall” and “El Paso” come to mind.  That is why I am using them as samples.

For the most part, this is meh territory.  But seriously, go see Born To Be Blue.  I thought it was a great film.



Al Melgard- At The Chicago Stadium

DSCN5116 (1024x1012)This was a bit mid range at $3.00 but being a hockey fan, I thought I should check it out.  Also maybe to try and get some of the Chicago people I know on the blog bandwagon.  Organ music at sports events is kind of a lost art form.  I remember it enough at sporting events when I was a kid but it was just starting to compete with pre-taped songs.  It was the beginning of the end of an era which to my knowledge is pretty much dead now.  I mean, I think some stadiums still have organs but they are used sparingly as a mere gesture to days gone by.a11

Chicago Stadium, built in 1929 and demolished in 1994, was the home of the Blackhawks for all years of its existence (It also housed the Bulls since 1967). I should point out here what little fruit was reaped during those years as the Edmonton Oilers won more cups in less than 10 years than the Hawks during their complete tenure in Chicago Stadium.  However, I am  sure I will get reminded about the Hawk’s recent history as well as how well the Oilers are doing now.

More history on the stadium


Very much an old school stadium, it the last arena to use an analog score clock.  It was also known as one of the loudest arenas in hockey due to its shape. This was also due to what was the world’s largest theatre pipe organ according to both Wikipedia and the album cover.  Chicago.ChicagoStadi.1929BartonOrga.0420.121210

Built by Barton, it consisted of 40,000 pipes, 883 stops, and six manual keyboards (according to the back cover as Wikipedia and most other sources say 3,663 pipes). There is a popular story about how during a riot after a boxing match, the organ player opened most of the stops, cranked up the volume, and blasted the middle keys.  The result was a fury of sound that blew out most of the lights, thus causing people to leave and quelling the riot.

A Link to more information on the organ

Page from the Pipe Organ Database



The man behind the keys that night was the subject of this album, Al Melgard, the Melancholy Dane.  Born in Denmark, he came to Chicago with his family when he was six months old. In 1930, he became the third and most well known organist in the history of the stadium, despite losing his left index finger.  With a list in his head of over 1,000 songs, he was one of the first to match songs with on ice occurrences.  For example, when King Clancy was refereeing, Melgard would play “Clancy Lowered the Boom” when he made calls.  He also played “Three Blind Mice” whenever the officials would take to the ice, a move that greatly angered Clarence Campbell. (inevitably, Campbell put the brakes on this). A very popular figure, he retired in 1974 and died in a nursing home in Las Vegas in 1977 at age 88.1734

As far as the organ, upon closure, it was bought and put in a club for a while until the owner moved it to Arizona.  A warehouse fire destroyed some of the owners other Barton’s, but it would appear the stadium console survived.  According to undated sources, it is currently in the Las Vegas home of property magnate, Phillip Maloof.

Link to the Organ restoration

This album, released in 1958,  is a collection of simple tunes played on the great organ by Melgard.  Apparently the sound of wind thru the pipes made recording difficult.  Anyway, other than the US service songs and “I’ve Been Working On The Railroad”, the rest of the melodies are from a bygone era.  But despite not knowing the songs, this is a decent piece of history and an interesting collection of sound.  It would probably sound better live but those days have past. I believe this and three more records Melgard put out sold well.   DSCN5117 (1009x1024)

For a sample, I was really torn. I really liked “Asleep in the Deep” with its aquatic tones.  I also thought “Butcher Boy” was a more traditional stadium piece and had a gone range of tones.  Then I was torn between the “Battle Hymn of the Republic” and the “Marine Hymn”.  Posting anything over four songs is sloth to me but I am sure this is out of print, so for historical reasons, here is all four songs.


Satisfactory enough record.

Mickie Finn’s- The Now Sound Of Mickie Finn’s

DSCN5097 (1008x1024)Hey, it’s Monday again.  The circle of life.  This was $3.00.  I probably got it for the Beatles tune, along with some other songs I liked.  Looking at the cover, I had a pretty good idea of what this record sounded like.  It reminded me of a resturant in Houston I went to as a kid that had peanuts.  I believe it was called Ruby Red’s. You used to be able toss your empty shells on the ground.  Then one day, they reversed policy and we stopped going.  They were kind of dicks about it. Then they closed.TVGuide-Actors-1966-Mickie Finn_1_page1

Mickie Finn’s was the brainchild of one Fred Finn, who began the Finn Empire with a night club in San Diego when he was 22 years old.  Due to the high cost of moving his musical equipment, San Diego was chosen as his location.  The theme of his club was Gay 90’s, Roaring 20’s, and Swinging 30’s.  This was in 1960.  The club was a success and led to regular performances in Las Vegas, records, and a television show in 1966. Additionally, they opened a second night club in Beverly Hills on Restaurant Row.

Fred was joined by his wife, Mickie, who sang and played banjo (additional banjo duties were also handled by Red Watson and on this album, Don Van Paulta).   The couple divorced in 1973 but Fred’s second wife, Cathy, took over the reigns.  The band continued in Vegas after the closure of the night club in 1974 .  This lasted until 1988 with several encore performances.  I am not sure what happened after this.  Some sources point to retirement after some work out of Florida after 1990 (my money would be on Branson). I also believe that both Mickie and Fred are still alive (they were both born in 1938).

Website for the Mickie Finn Show

This album I imagine was riding the brief success of their TV show.  It sounds just as it looks, full of barrelhouse piano with a mix of dixieland, ragtime, and swing. It’s what the Simpsons would call “pianie”.

DSCN5098 (1024x992)This was released in 1967.  What else can I say on a Monday? I liked “Lady Godiva”, “Cabaret”, “Sail Along Silvry Moon”, and “Red River Valley”.  Other than that, if you do not like or can not stomach old timey music, this is not for you. At the very least, the songs are short. Also, Fred can play the keys off the piano.

For a sample, I went with a track from on of my favorite musical movies, “Thoroughly Modern Millie”.  I wanted to go with the Beatles “With A Little Help Form My Friends” but it skipped and I was too lazy to clean it.mickiefinns04

Satisfactory enough.  I mean, if you can’t figure this out before you buy it, you must struggle then with the obvious.